Kung Hei Fat Choi – Gong Xi Fa Cai
Whether you say it in Cantonese or
in Manadarin, Happy Chinese New Year to all our readers. The five day
break has finally given the editorial team at Mango Farmers Weekly the
chance to get the Annual Review written and published. For the first
time, it is now available on the Internet at …
www.LawrenceUpton.com
Yes, the website is up and running
and has been regularly maintained since late summer. To put it another
way it’s been updated once. And now for the Year of the Horse, it’s been
given a fresh lick of paint and bucket of oats and is raring to go.
Check it out. If you have any comments, send them to
lawrence@LawrenceUpton.com.
All positive
comments will be gratefully received. All negative comments will be
hurled into the farthest reaches of damnation or completely ignored,
whichever is easier.
The Traveller Comes Home
Although I enjoy travelling
enormously and Singapore Airlines Raffles Class is an exceedingly
comfortable way to fly, it does get a little wearing at times.
Last Easter, I woke up on Good
Friday morning in the Singapore flat Pacita and I moved into six months
earlier. It was a beautiful morning with the sun streaming into the
living room. I slowly looked around and said. “This is a lovely
apartment. I wish I lived here.”

And shortly after that, I did. After a solid eighteen
months of working away from home, nine months in Jakarta flying back
each weekend and nine months in Hong Kong flying back every other
weekend, I finally started working in Singapore in May.
There has still been a fair bit of
travelling, but usually just one or two day trips around the region, so
now I get to enjoy the sights, sounds and food of Singapore. Pacita and
I have even managed to see some of the tourist attractions here,
including the Botanical Gardens and the Night Safari. Both are highly
recommended, by the way.
No more saying to visitors, “I hear
the Botanical Gardens are very nice,” or “I’m told the Night Safari is
well worth a visit.” Just as well, as it is rather embarrassing to admit
we’ve lived here for over five years and not seen anything.
Food, Glorious Food
The last year has seen a major
refurbishment in the Takashimaya food court. Takashimaya is the major
department store in Singapore, the local Selfridges, and also the
location of my office. We now have over fifty different food stalls,
selling everything from Teppanyaki Chicken to Spicy Ramen Noodles to
Fish & Chips.
My favourite though is the
Vietnamese stall: delicious crispy and fresh spring rolls, prawn on
sugar cane, chicken, mango and papaya salad, and beef noodle soup.
Mangoes on
the Mango Farm
And
so, thirteen years after we first bought a plot of land and seven years
after our first planting, mangoes appeared on our trees. Only twenty of
them on one branch on one tree but definitely a start. We are eagerly
awaiting 2002 to see what sort of crop it brings.
Crouching Tiger,
Hidden Audience
The sun has sunk well below the yard arm, the frogs have
started their raucous croaking and Kuya (elder brother, as I am known)
has his first gin and tonic to hand. Marks & Spencer jumbo peanuts and
Pringle crisps are ready and waiting.
Yes, it's time for a movie. Choosing from the growing
selection of international cinema available on DVD in the Cambaguio Farm
library, Kuya faces a difficult decision. Will it be something Polish,
perhaps Krystow Krstowski's Decalogue. Maybe a light Norwegian comedy,
or a heavy Ingmar Bergman drama full of deep introspection, failing
relationships and suicidal thoughts, to be shared by the audience
eventually. Apparently, in Fanny and Alexander, one scene even got a
laugh, but that was swiftly taken out in the Director's Cut version.
But Kuya knows what is expected of him, especially on a
Saturday night, and it is most certainly not European subtitles. Even
though there is no one else present, the unspoken desires hang heavy in
the room. Truth to tell, Kuya is happy with the decision. There is a
time for subtitles and that is much later at night when the candles are
guttering lower.
His hand reaches for the DVD box, the drawer of the
player slides open, the disk is inserted and the unmistakeable sounds of
the latest Mission Impossible theme tune fill the room.
There were only three other possible choices: Kung Fu,
James Bond (Sean Connery or Pierce Brosnan, please, not that rather
wooden Roger Moore) or The Muscles from Brussels, Jean Claude van Damme.
Actually, anything will do as long as it has lots of flash-bang-wallop,
whizzy special effects and villains being shown conclusive violence.
The opening bars of the theme tune have faded and Tom
Cruise is busy hanging from his fingernails, a thousand feet up a rock,
for no very good reason at all. And there it is, just a slight creak in
the background, almost lost in the techno soundtrack as Cruise listens
to his sunglasses.
A quick twist of the neck and Kuya confirms that one of
the previously closed wooden shutters in the living room have been
twisted through 90 degrees and the first members of the hidden audience
have arrived. They are perched on the porch outside, peering through the
shutters, three or four of them, too shy to actually sit in the room.
Cruise's sunglasses have exploded, sorry self-destructed,
and he is apologising for not being easily contactable on holiday
(guilty twinge from Kuya who is also not easily contactable on holiday,
about the only thing he has in common with Tom Cruise). And now the
crouching tigers, the bolder members of the audience, make their move.
Three
or four of the older children from the neighbourhood walk boldly into
the room. "Good evening, Kuya," is uttered almost as an aside and then
they crouch down on the floor, ignoring the nice comfortable seats. They
know they will be thrown out of these when more important people arrive.
In fact, almost anyone else is more important, so they focus on a comfy
spot on the floor.
By the time Tom Cruise is snuggling up to the delicious
Thandie Newton, the audience has grown to 35 people, inside and outside
the room. and everyone has settled down to watch and enjoy.
So how did this audience know when it was time to crouch
and hide. Well, there are several reasons. First, Kuya starts watching
movies at this time every night. Secondly, it's only during the week
that he begins with some incomprehensible British comedy like BlackAdder
or Fawlty Towers or Only Fools and Horses.
Thirdly and most importantly, being in remote farmhouse,
9 hours roundtrip from the nearest bank, Kuya plays the movies bloody
loud. The Mission Impossible theme tune booms around the hills, valleys,
rainforest, rice paddies and coconut plantations for miles around and
this is the only place to watch imported movies within 45 minutes walk.
A Streetlight
named Untaga
For many years, the view from our farmhouse at night
across the valley was untroubled by evidence of electricity, except for
a surprisingly irregular lighthouse in the far distance, near the port
of Ubay.
But in the last two years, changes have come about. The
white glow of neon has started to spot the road leading from the local
town, Alicia, to the interior. Now even the occasional nipa hut within
reach of the road has its own light. The lights even grew bright enough
to make out the white roof of the lottery winners, who had built a house
right on the road itself, in the heart of the village of Untaga.
And suddenly last year there was dramatic progress. A
sodium streetlight appeared, its orange glow a common sight elsewhere in
the developed world, but an absolute rarity here in the northeast corner
of one of the Philippines lesser islands. Of course, not lesser to the
million or so people who live here, but certainly compared to the main
island of Luzon or to Cebu, centre of the Visayan region.
But
how had this streetlight got to Untaga. The usual way these things come
to pass is that some grand scheme costing tens of millions of pesos is
proposed by the local mayor, facing imminent re-election. "Let's make
Untaga the first village on the island of Bohol to be fully lit by
sodium streetlights."
The request travels
up the local government hierarchy to end up on the desk of the
Provincial Governor. He sees how much of his personally controllable
budget, or pork barrel, is available and scales back the project to what
will give him maximum credit for minimum outlay and allow for allocation
of contracts to “related parties.”
Now the plan is only for a million pesos and is for one
street only to be lit. The decision and the cash filter back down
through the hierarchy, leaking heavily all the way. This all takes time
of course and the original election has been and gone. In fact, it's
election time again.
So, the hundred thousand pesos in actual cash gets spent
and one single streetlight gets erected. Together with a large notice.
"This streetlight was erected through the efforts of the
Mayor of Untaga and the Governor of Bohol."
Nothing, you will notice about the poor taxpayers who had
to fund the full million, which was spent or leaked.
Whether the citizens were impressed or not and re-elected
the mayor, I did not manage to find out, but next year, there was a
second smaller Streetlight in Untaga, right next to the first.
When I explained the story of the streetlights to Pacita,
she said, "Don't be silly. They're not streetlights. They are for the
basketball plaza and they both went up together last year."
Oh well, so much for my understanding of the political
realities in the Philippines.
Wedding Bells on
Christmas Day
"We're going to a wedding tomorrow," says Pacita. "But
isn't that a little unusual," I reply. "A wedding on Christmas Day?"
"Not at all, this the Church of Jesus Christ."
For a country full of Roman Catholics, there sure are a
lot of other religions around.

Anyway, the wedding started at 10am, Philippine time, so
when we arrived at 10:30, we were sure nothing would have happened yet.
But, in fact, the minister was well into his sermon, so they must have
kicked off pretty much on time.
One of Pacita's ex-maids, Marilyn was marrying Jim, a
local boy in La Hacienda, the next village along from Untaga.
The minister was certainly going at his sermon hammer and
tongs. I have rarely heard such passion for what must be pretty regular
occurrence. At least he had foresworn the sunglasses favoured by our
previous local minister, so he did not look too much like a gangster.
Pausing occasionally to wipe away a tear, he entreated
them as to the solemn and binding course they were embarking upon, And
with no divorce in the Philippines, it was certainly binding.
The bride was blushing in her white gown, rented for the
day, and the groom was dashing in his suit, also rented. Once again,
however, the real stars of the show were the bridesmaids, wearing as
seemed so common at Filipino weddings, rather sexy outfits. Their purple
dresses were pretty much backless and deeply slit up the sides. I have
to say they featured heavily in the wedding video being shot by yours
truly.
I did of course manage to get the affirmation of vows,
the exchange of rings and the kiss, so the bride and groom made slightly
more than a token appearance.
After the ceremony we adjourned to the reception, or at
least we tried to. The guests took a minibus along the main road, then a
small tractor-trailer took them up into the hills for twenty minutes. We
followed on a motorcycle. Eventually we were dropped off at the public
square of a small hamlet and told about the twenty minute walk through
rice paddies, rather muddy rice paddies in fact since it had been
raining for seven days continuously. Fortunately, the rain had stopped
just before the wedding started and it had turned into a glorious sunny
day.
Pacita and I looked at each other, decided duty had been
done and it was Christmas morning after all, so we beat a retreat,
passing yet another tractor full of guests as we headed back to the
farmhouse to view the progress on construction of the new extension.